Published
Méditations Sur Le Seuil
In a way, Madhya’s music sheds light on Satie’s intention when writing for Rose-Croix, which was composing music for meditation, initiation and revelation purposes, written without time or bar lines, according to Olof Höjer. Accordingly, Thierry Guinot composes ambient, sometimes unvarying music with solemn passages played on synthesizer with saxophone, flute and gong accompanyment. The title means Meditations on the Threshold, the threshold of initiation one supposes, but also on the verge of silence, as some tracks are extremely minimal, such as the last two tracks, the most disturbing of the LP, which repetitive and metaphysical nature reminds Lustmord or Tarkovsky”s Stalker soundtrack.
